![]() ![]() "The software takes the image and draws little lines all over it. "We supplied him with black and white shots (by photographer Steve Deer) and text," explains McCann creative partner Richard Irving. The images were created by San Francisco-based ‘Scloopy’ using a piece of software he wrote in Processing. They feature faces are made of ‘strings of type’ recounting the types of issues people need to discuss at counselling. The two six sheet posters are for Leeds Counselling and will appear in doctors' surgeries, clinics, student halls and other suitable locations throughout Leeds. McCann Erickson Manchester has created a poster campaign for a mental health organisation that combines photography and Processing to great effect The user stands in front of a screen: the shadow they cast behind them is then translated into a ghostly portrait on the Weave Mirror as each element whirrs and clanks into place acting as a mechanical pixelĭecode is at the V&A’s Porter Gallery until April 11 The sound-reactive Dune by Daan Roosegaarde (photo: Daan Roosegaarde) which visitors to Decode pass through on their way into the showĭaniel Rozin’s Weave Mirror uses 768 motorised laminated c-shaped prints which go from light to dark. Rotating tracks form words drawn from a variety of websites monitored by the work The visitors’ movements are captured and displayed across the waterĪlso commissioned specially for Decode is bit.code by Julius Popp, which sits in the Museum's Grand Entrance. A group of light panels each contain a camera to detect the presence of visitors walking into the garden. An ever-changing array of exotic digital flowers is created using images drawn from the V&A’s collectionĭecode’s exhibits are not confined to the gallery – Jason Bruges Studio’s Mirror Mirror (commissioned for the show) is located in the pond of the v&a garden. Recode Decode by Lia from Victoria and Albert Museum on Vimeo.Ī selection of the best will then be featured on digital advertising screens on the London Underground.Ī review of Decode will appear in the January issue of CR, out on December 18, but in the meantime here are a few highlights:ĭaniel Brown’s On Growth and Form at the entrance to the show. Check out the Recode gallery to see the submissions so far – here's one by Austrian artist Lia who is also exhibiting in the show: The visitors' efforts can then be posted to the Decode site. Visitors to the Decode website can then interact with the piece and create their own version, either at a surface level by manipulating Schmidt's piece, or at a deeper level by downloading the open source code ( here). Saint commissioned Schmidt to create an ever-changing open source artwork (above) that will be used for the exhibition identity (a detailed description of the process is on Schmidt's site here. V&A Decode generative identity from postspectacular on Vimeo. If you want informed opinions, this PDF provides a roundup of reactions from eight actual experts.ĭigital agency Saint and Karsten Schmidt have created a generative marketing campaign for the V&A's new show of digital art and design, Decode. The number of people writing about this online will far exceed the number who know what they're talking about. Using an existing bacteria genome as a model, Venter's team created a new 1.08-million base pair genome and transplanted it into a natual cell, where it took over and started replicating.Īs Venter described it during a press conference this morning, “This is the first self-replicating species we’ve had on the planet whose parent is a computer.” Popular Science says this "opens the door to engineered biology that is completely manipulated by laboratory scientists." Venter wants to use synthetic life to create algae that can eat carbon dioxide and produce fuel, but potential applications include creating new foods, speeding up the production of vaccines, and of course, taking over the world with an army of engineered superorganisms. Craig Venter, the maverick geneticist, has created a new synthetic life form.
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